Faites le travail qu’accomplit le soleil
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Penguin Audio Books.
Characters from classic books march down ear canals in this ad campaign for Penguin audiobooks by Y&R Malaysia. Ads were made for The Jungle Book, The Pied Piper of Hamelin, and The Wizard of Oz.
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Gavillet & Rust
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IKEA Homemade.
The best ever cook photography shot for the IKEA cookbook.
Totally different look on cooking photography, placing ingredients as the key elements of the process. Fresh and unique; a fantastic idea and realisation!
See lots more photos on Dezeen.
Bookshop
(via baubauhaus)
OK, this is one amazing book by Andrew Zuckerman about birds. All shot on white background, with amazing detail, the photographs are stunning and manage to capture the character of each bird in a unique way.
There are a lot of different birds inside the book, names that I didn’t know they existed. This photograph is from a bird called Kea and believe me, it was so hard to choose from all the rest.
To see them for yourself (and find details about the book too), you can visit the really nice and clean website of Andrew Zuckerman: Bird. Switch to the full screen mode by pressing the top left icon and lose yourself inside the magic colors and shapes of our little friends.
Shoot_it republished the work of Camilo Nollas that takes beautiful pictures from his mobile phone. Without changing the great content, we redesigned the cover which did come out really nice!
If you would like a (free) copy, please let me know and we can arrange!
More pictures to follow on a future post since this is only an iPhone picture I quickly took when I got in on my hands.
Why not also following shoot_it on twitter? We still don’t have many people there but it would be a great support! :)
![The Wrong House: The Architecture of Alfred Hitchcock,
by Steven Jacobs (available on Amazon USA and UK.)
010 publishers write:
‘In the films of Alfred Hitchcock, architecture plays an important role. Having worked as a set designer in the early 1920s, Hitchcock remained intensely concerned with the art direction of his films. In addition, the ‘master of suspense’ made some remarkable single-set films, such as Rope and Rear Window, that explicitly deal with the way the confines of the set relate to those of the architecture on screen. Spaces of confinement also turn up in the ‘Gothic plot’ of films in which the house is presented as an uncanny labyrinth and a trap. Furthermore, it became a Hitchcock hallmark to use famous monuments as the location for a climactic scene. Last but not least, Hitchcock used architectural motifs such as stairs and windows, which are closely connected to Hitchcockian narrative structures (suspense) or typical Hitchcock themes (voyeurism). Apart from dealing with these issues extensively, Steven Jacobs discusses at length a series of domestic buildings with the help of a number of reconstructed floor plans especially made for this publication.’
[source (and rest of the article)]](http://27.media.tumblr.com/btVftL1QDpuw5gy2Lj5vWS2Bo1_400.jpg)
The Wrong House: The Architecture of Alfred Hitchcock,
by Steven Jacobs (available on Amazon USA and UK.)
010 publishers write:
‘In the films of Alfred Hitchcock, architecture plays an important role. Having worked as a set designer in the early 1920s, Hitchcock remained intensely concerned with the art direction of his films. In addition, the ‘master of suspense’ made some remarkable single-set films, such as Rope and Rear Window, that explicitly deal with the way the confines of the set relate to those of the architecture on screen. Spaces of confinement also turn up in the ‘Gothic plot’ of films in which the house is presented as an uncanny labyrinth and a trap. Furthermore, it became a Hitchcock hallmark to use famous monuments as the location for a climactic scene. Last but not least, Hitchcock used architectural motifs such as stairs and windows, which are closely connected to Hitchcockian narrative structures (suspense) or typical Hitchcock themes (voyeurism). Apart from dealing with these issues extensively, Steven Jacobs discusses at length a series of domestic buildings with the help of a number of reconstructed floor plans especially made for this publication.’
